posture-master
1posture-master — posˈture maker, posˈture master noun 1. A teacher or exponent of artificial postures of the body (historical) 2. An acrobat or contortionist (obsolete) • • • Main Entry: ↑posture …
2posture-maker — posˈture maker, posˈture master noun 1. A teacher or exponent of artificial postures of the body (historical) 2. An acrobat or contortionist (obsolete) • • • Main Entry: ↑posture …
3Station master — Station Sta tion (st[=a] sh[u^]n), n. [F., fr. L. statio, from stare, statum, to stand. See {Stand}.] 1. The act of standing; also, attitude or pose in standing; posture. [R.] [1913 Webster] A station like the herald, Mercury. Shak. [1913… …
4The Drama — (Roget s Thesaurus) < N PARAG:The Drama >N GRP: N 1 Sgm: N 1 the drama the drama the stage the theater the play Sgm: N 1 film the film film the film movies motion pictures cinema cinematography Sgm: N 1 theatricals theatricals …
5tumbler — n. 1. Acrobat, juggler, posture master. 2. Glass …
6vault — I. n. 1. Arched ceiling, arched roof, continued arch. 2. Cell, cellar. 3. Tomb, crypt, catacomb, repository for the dead. 4. Leap, bound, jump. II. v. a. Arch, cover with an arch, arch over. III. v. n. 1 …
7tumbler — n 1. acrobat, gymnast, somersaulter, high vaulter; trampoliner, trampolinist; circus performer or artist; contortionist, posture master; athlete. 2. cup, drinking cup, drinking vessel, glass, beaker, dipper; shot glass, jigger …
8South Asian arts — Literary, performing, and visual arts of India, Pakistan, Bangladesh, and Sri Lanka. Myths of the popular gods, Vishnu and Shiva, in the Puranas (ancient tales) and the Mahabharata and Ramayana epics, supply material for representational and… …
9arts, East Asian — Introduction music and visual and performing arts of China, Korea, and Japan. The literatures of these countries are covered in the articles Chinese literature, Korean literature, and Japanese literature. Some studies of East Asia… …
10Song Changrong — The Song (Changrong, Yongxiang) style of bagua focuses on the single palm change as its main practice. As one s understanding of the implications of the single palm change increases, one achieves the skill of using one thing to defeat many . In… …
