isorhythmic

isorhythmic
iso·rhythmic

English syllables. 2014.

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  • isorhythmic — adjective Pertaining to or using isorhythm …   Wiktionary

  • isorhythmic — adjective see isorhythm …   Useful english dictionary

  • isorhythmic atrioventricular dissociation — a form of atrioventricular dissociation in which the atria and ventricles beat at similar rates, although independently; it usually results from severe sinus bradycardia in which the sinus node discharge rate drops just below that of the… …   Medical dictionary

  • Isorhythm — Isorhythmic tenor from the first part of the Kyrie of Machaut s Messe de Nostre Dame (c. 1360). A color of 28 notes is arranged with a four note talea pattern which repeats seven times. Isorhythm (from the Greek for the same rhythm ) is a musical …   Wikipedia

  • isorhythm — isorhythmic, adj. isorhythmically, adv. /uy seuh ridh euhm/, n. Music. a structural feature characteristic of the Ars Nova motet, consisting of a single rhythmic phrase pattern repeated, usually in the tenor, throughout the composition. [1950 55; …   Universalium

  • Nuper rosarum flores — Structural plan of the motet and its tenor. Top: Pre existing Gregorian cantus firmus; middle: Tenor in original notation, with four mensuration signs defining the diminution scheme; bottom: Total structural scheme: Through fourfold repetition of …   Wikipedia

  • Medieval music — Periods of Western art music Early Medieval   (500–1400) Renaissance (1400–1600) Baroque (1600–1760) Common practice Baroque (1600–1760) …   Wikipedia

  • Motet — In classical music, motet is a word that is applied to a number of highly varied choral musical compositions. Contents 1 Etymology 2 Medieval motets 3 Renaissance motets 3.1 …   Wikipedia

  • Sub Arturo plebs — Infobox Musical Composition Name=Sub Arturo plebs Type=Motet Composer=Johannes Alanus Year=Late 14th Century Period=Mediaeval Style=Ars nova Sub Arturo plebs – Fons citharizantium – In omnem terram is an isorhythmic motet of the second part of… …   Wikipedia

  • Messe de Nostre Dame —    Composed by Guillaume de Machaut, this is the first surviving polyphonic mass cycle, that is, a polyphonic setting of the mass ordinaries apparently conceived as a uni fied musical structure and intended to be sung as one liturgy. It was… …   Historical dictionary of sacred music

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